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Loose Ends
Death is just the beginning of new life as the building blocks of creation are dispersed back into the universe. Yet so often, these blocks bond together and do so with such fervor that eventually they obtain the notion that they were supposed to be bonded. This notion is wrong; nothing lasts forever, and certainly no relationship can weather the test of time. Still, they try, and some are more successful than others at achieving their derogatory goal of mutual survival.
But they are not merely satisfied with living on indefinitely in this manner. Many, indeed most, are obsessed with the notion that the time spent in this form must be lived happily. No one could say that happiness is a bad thing; happiness is one of the few things in life that is virtually harmless and entirely enjoyable. Yet this continual search for pleasure often succeeds in boring the seeker; for when the body is accustomed to pleasure, it builds up a tolerance to it. So it must be that with every ounce of pleasure comes two ounces of suffering. Every mountain is made by placing two valleys on each side, and there is no such thing as pleasure if its antithesis is not there to define it.
The man known to some as Jack Rackham understood this idea most fully. And it quite-rightly angered him that no-one else seemed capable of identifying this most obvious of truths. If you're hungry and have only a little food, that food tastes so much better than if you had much. But no matter how often or how earnestly he pleaded with people to see things through his eyes, no one took him seriously. "After all," they'd say, "you may enjoy it more, but you're still hungry."
It was obvious to Rackham that being full didn't cure one of the desire for more, however, and that even the sated still consume needlessly. What waste! It was enough to make a man sick. So he endeavored to make them understand in new ways...
Their screams were like those that rang out in hell, and in the hours they spent in Rackhams studio, many men, women, and children came to understand what true pleasure really is. It is when total and utter pain is absent. It is when one can embrace death with open arms, knowing that it will release them from the sheer agony that engulfs their every waking moment. It is when every primordial building block and bond in the body rises up and gives utterance to an outraged, tortured, and bloody hallelujah before finally breaking asunder and vanishing.
Rackham was pleased with his work; it was simply artful. He commemorated his finest subjects in works of cruel elegance and beauty. A painting, a sculpture, a textile; those were the things that were made to last, never to see decay. Not like the body, which peters out of its own accord. Strange to say, despite Rackham having made much of his own artwork, you'd be hard pressed to get him to remember what most of the pieces were made out of, or the process by which they were created. He explained by saying that he was often subject to what he called "artistic blackouts," wherein he, with great inspiration of the mind, simply acted instinctually, not taking into account what he himself was doing.
Rackham had been creating, collecting, and selling artwork for years, and it had never caused him any trouble. However, as he was well aware, his time of relative happiness would not last forever. And indeed it did not, for there came a time when Rackham placed in his trophy room a most peculiar piece of artwork. Despite many queries, Rackham said extraordinarily little about it, save for that it was "unfinished." The piece was a pedestal for a statue, large enough to carry a life-sized figure, and approximately one foot high. The peculiar thing was that there was no statue to be found; the pedestal was completely bare. When asked about it, Rackham said that he lost the figure and had yet to retrieve it.
To look at the collector himself, one would think that the man had lost a pencil, so little concern did he show for his missing artifact. But privately, Rackham bit his nails with worry, for the piece was not simply mislaid, nor was it even stolen; it had escaped. The escapee was a male, approximately mid-twenties, and had caused Rackham no end of worry by his absence. The artist had spared no effort on the young man, and the frayed nerves, damaged optics, and a shaved head were all signatures of the unspeakable bestiality that was wrought upon him shortly before he fled into the night. If the victim survived his injuries, if he told the police, Rackham would suffer. Not that Rackham would mind this, of course, but his vision and his legacy would be stopped short if he was thwarted by the elusive little whelp. No, this was one loose end that needed tied up, preferably gagged and maimed for good measure.
So Rackham summoned as many bounty hunters to the underbelly of Coruscant as he could muster; there could be no mistakes. All participants in this hunt were instructed to meet the so called "Collector" in the dead of night to receive details of their mission. The rendezvous was a back-alley warehouse, distinguished by a "VI" dashed irreverently across its rusted surface. Great amounts of trash lined the alley, made visible by three measly lamps that were separated so far from one another that they afforded little illumination. Who would answer the summons? We can only guess...
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